Zhongfu Shanghai Railway Station, Pick Spring Summer Shanghai Fashion Week Six Big Show

What is intoxicating when we talk about the fun of fashion week? It is a much broader and more shocking Chinese dress show on the T stage. It is the dress battle of high-profile star bloggers. After the curtain, it has been chosen as the most destructive weapon.
Standing in the C position of fashion week, you will realize the order of fashion, the presence of guests, the whole series of inspiration, style, fabric, tailoring, fashion trends and accessories details. We need to talk about the 2020 spring summer Shanghai fashion week which is currently in progress. Zhonghua net wants to recommend this fashion Carnival to everyone. This is a great event for us to carry on the fashion industry in China today. It will be fashionable in the fashion water cube. As the theme of Shanghai fashion week tells us, it is a source of perception.

　　 BAN XIAOXUE

Key words: "gift"
Ban Xiaoxue retained strong personal style as before. In his fashion show, he often had a game of freedom and tolerance, and even an abstract and contrasting design. Hou Xinyi, the head of the show, said that the inspiration of this show was from the multi-dimensional "PRESENT gift", a patch of sunlight on the old film, patches on the mother's socks when she was little, and the expectation of opening the bow of a friend's companion. The designer had more emotional input and deduction for the gifts of time, friends, family members and strangers. Different from the deep themes of the past big concepts, they are closer to daily life and make fashion more temperature.

The pure crystal is embedded into the natural texture of the old fabric, combining with the techniques of hand nail bead, three-dimensional embroidery, feather embroidery, and so on, so that the fashion is in a collision between unfinished and completed, retro and surreal, past and present. Since the beginning of the first show, more male models have been added to the show, and the "sexes" have been introduced to create a mobile poetic gift.

　　 XU ZHI
Key words: Youth's anxiety
In ancient Greek mythology, Narcissus, who was in love with his reflection in the water, did not know that he was himself, because he could not get the response of love to be depressed. Finally, one day, he went to the water for a drowning and died, then became a narcissus flower. XU ZHI's recent show is like the new narcissus of all things, desperate to be crazy about the United States, describing the struggling and balancing images of teenage girls and girls in their holidays through soft flowers and powerful lines. The symbolic knitting and tassel melt into the texture of the soft fabric, adding a bit of toughness and hardness. Deep and shallow fabric stitching texture, like those vague feelings in summer memories, can not be told to others, only oneself knows the intimacy best. Dragged ground long tassels with fresh summer short play is a young and interesting expression.

At the same time, XU ZHI also launched the swimsuit series with NEIWAI inside and outside this season. The young, free, bubble in the water mood is the transition between the city and holiday atmosphere.

　　 ANIRAC
Key words: Women's strength
This is the fifth time for Ka-ling's personal brand Anirac to ascend the fashion week of Shanghai. The 2020 spring summer series still continues to be the inner bravery of contemporary women's independence. Inspired by the "Pina" Bausch of "the first lady of modern dance in Germany", the theme of "more charming self" is sublimated from the inspiration of "Pina". Suits, windbreaker and petticoats are more tough and practical in classical music. The splicing of silk and lace fabrics has neutralized the stereotype and toughness. We can easily feel the charm of women from the outline structure, color system, and stitching. Dance art can also collide with modern fashion to surpass the elements of realism.

In fact, the name of Anirac is derived from the anti writing of Carina Lau, the founder of English name Carina, and she hopes every woman can find their own "advanced customization". Despite the noise and confusion of the outside world, the perception of self power and charm is also the foundation of women.

　　 W.Rong
Key words: Oriental imprint
"Inhale the past. Exhale the future".
There is a form in the past and uncertainty in the future. SS20 W.RONG believes that going back to the past, more touching traditional culture and retrospect of innocence seem to be able to turn into a pluralistic future and unlock the cosmic code. Dragon, opera, Phoenix, Kunqu, kite, Mulan and jigsaw puzzle. These Oriental imprints give modern fashion fresh life.

At the same time, light-emitting fiber and 5D reflective and colorful technology materials enable the thick culture and the future innovation perfect fusion. Czech's national treasure brand BOSSE's technology crystallization is the shining star of the universe, let us see the infinite possibilities of fashion and technology crossover.

　　 UNROW
Key words: the Yellow River trackers
UNROW 2020 spring and summer men's wear series inspiration from "the Yellow River trackers", they worship heaven, worship the earth, with "the present" as the soul. Based on the Central Plains culture, the 2020 spring and summer series were interpreted and sublimated in the Loess civilization by drawing the characters and symbols of worship, blending the reality with the belief. Based on the scene of plateau sunset, the assumption of characters under the plot of waste land is conceived. In the light of the mirror image relationship between past and present, a series of thoughts on "seeing" and "emptiness" are drawn out. Therefore, the 2020 spring summer series is named "D E J Vu", which conveys the design concept of "one eye emptiness" through the series.

　　 YIRANTIAN
Key words: perceptual thinking
YIRANTIAN 2020SS spring and summer series think about women in a perceptual way, express women in a perceptual way, and give women the power of sensibility. She could be a flowing, waving black tassel, a winding yarn on her shoulders; she could also be a bondage, a tough bra and shirt wrapped in a fixed form. We can see the combination of weakness and tenacity, fragility and strength, and women are diverse.

Of course, it is important to wear clothes and shelter. However, if there is no design and aesthetic rope, I think most people simply satisfy physiological desire and instinctively seek to eat enough and wear warm. On the contrary, fashion design can lead us to a higher level of spiritual experience and feel different ideas.