70S In The Eyes Of Designer Xie Feng: Fashion And Art Blend

Jefenby Frankie2011 autumn and winter design inspiration comes from

The author: this season Xie Feng teacher chose "dazzle color 70s" as the theme, then in the reminiscence of retro wind prevailing today, 50, 60, 70...

Is this the rule of fashion? What do you think will happen next?

Xie Feng: I think the current popularity is only a feature, not necessarily a rule of development from 50 to 60 and then to 70s.

But the popularity in recent years tends to be the benchmark of a previous era.

Just like last year we mainly did 80s. This year, we mainly pay tribute to YSL in 70s.

At present, we pay more attention to some humanistic factors and people's expression.

For example, during the economic crisis, 80s became a popular theme. People needed strong and strong will to support life after the economic crisis.

So people began to pursue elements such as wide shoulders and strong contours, so as to find spiritual comfort in the past years.

The age we are talking about is just a propaganda word.

The author: the bright and bright colors are very popular in the 2011 spring and summer. What is the difference between the "dazzling color" of the 2011 autumn and winter and the spring and summer fluorescence? How long do you think the whirlwind has lasted for a long time?

Xie Feng: from last year's spring summer series released last year to the upcoming autumn and winter series this year, we have used many colors.

In spring and summer this year, we used many colors such as sky blue, pink yellow and so on.

This autumn and winter, we will continue to feel this way, but we will be more pure in the choice of colors.

Over the past two years, color has been a very important theme, leaving the color of fashion has lost the fun and fashion.

So in recent years will be very popular color, but people do not understand the color.

The author: if you can use three words to describe 70s, what is your answer?

Xie Feng: simple, pure, and civilian.

The author: in the return of 70s, we also saw your tribute to YSL. How did you evaluate the designer? What inspiration did he and his works bring to this 2011 autumn and winter series?

Xie Feng: I respect the design master. His smoking suit is the greatest contribution to human society.

He certainly has some influence on my work.

As you will see at the press conference, we used a lot of contrast between gold and white this year, as well as a lot of color splicing, which were commonly used by YSL in those years.

The author: every Chinese experienced the "collage crash" experience in 70s, and the idea of "not loving red dress and loving arms" did not change until the late 70s.

Can you share with us what things or objects that best represent that particular age in your mind?

Xie Feng: I think the late 70s is an important period of personal recovery and return. I was impressed by Teresa Teng's songs at that time.

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The author: we know that JEFEN women's wear has been working with SWAROVSKI elements and Danish Copenhagen fur, and the works of each season can also be called the biggest highlight.

Can you tell us how you have applied these classic elements to your own works? Will you consider launching more new works with more brands?

Xie Feng: the use of SWAROVSKI elements in fashion is difficult. We used to combine SWAROVSKI crystal with fur and leather, and the results were very good.

This year, we also have great creativity in the process of combining SWAROVSKI elements with civilians in 70s, especially the last wedding dress to pay tribute to 70s.

This dress we use a new SWAROVSKI element is very enchanting.

For me, in today's globalisation, it is very important for Chinese fashion to complement each other, which is rich in Chinese fashion content.