Introduction To Fashion Painting Techniques -- Fabric Expression Of Fashion Paintings

Fabric texture performance

The classification of fabrics can be broadly summarized as follows: thin materials, thick materials (including medium thickness), plush fabrics, pparent fabrics, reflective fabrics, hollowed fabrics, knitted fabrics and some special material fabrics.

By using various techniques, the relative accuracy, previewing effect and artistic atmosphere of specific fabrics can be obtained in fashion pictures.

The expression of fabric texture is relative. When we express the fabric quality in fashion picture, we must formulate the object's form effect through the purpose, object characteristics, picture style, tool material and other factors.

In other words, we must consider the various factors, rather than the fabric texture (or other styles, accessories, figures, etc.).

1. the expression of fabric texture - thin material is elegant, light and easy to produce folds.

When the thin material is used, the line can be relaxed, natural, easy to use thin and smooth lines, and not suitable for thick and wide lines.

In the form of light color, the thin fabric can be better expressed, or the method of halo dyeing and inkjet printing can easily show a thin feeling.

A large area of thin material can be used for large area processing.

For thin folds, we can pay attention to its randomness and vividness.

After wearing, the thin material has a close fitting and elegant distinction. The former can focus on performance while the latter can be slightly empty.

2. the performance of medium and heavy fabric feels that the performance of medium and heavy fabric is quite different from that of thin material. It is easy to use rough and straight lines.

The reflection of woolen cloth is weak, and it can be expressed in a more convenient way such as flat coating and friction.

For coarse tweed, the patterns of tweed should be used in the way of sprinkling and rubbing.

Due to the influence of fabric thickness, the pleats of medium and heavy fabrics are not easy to be served, so they appear large and smooth.

When denim is used, the texture of denim can be shown by rubbing and rubbing.

3. the texture of wool and corduroy fabrics, including wool and velvet fabrics, including fur fabrics (including long wool Fox and short wool Mink fabrics), feather fabrics, flannelette (including velvet, etc.) fabrics.

The fur fabric has the characteristics of fluffy, no rigid turning, and strong volume.

The fur fabric of long haired Fox also has a sense of hierarchy, which shows that the fur can be combined with the method of skimming, friction and scraping.

Flannelette has luminous and non luminous points. Compared with other fabrics, the flannelette with the same color is deeper, and velvet fabric is more reflective and draping than the ordinary flannelette fabric.

When dealing with the edge of flannelette fabric, it should not be hard and smooth, but should be fuzzed and void.

The feather has a strong sense of hierarchy. It can refer to the steps of displaying fur fabrics. The difference is that the shape of its feathers should be drawn with larger strokes without using silk.

4. pparent fabric performance pparent fabric including plastic, yarn, etc., for the performance of such fabrics, we can use the overlap method, halo method or inkjet method to show the pparent effect of yarn.

When pparent yarn and plastic are covered with objects that are darker than their bright colors, the color of the covered objects will become lighter; otherwise, the color of the covered objects will darken.

Yarns are prone to natural wrinkles. When processing, they can enhance the sense of richness of the layers, while the yarn that can float can be slightly diluted.

Plastic has high pparency and strong reflective properties.

The method of showing the pparency of plastics is similar to that of the pparent yarn. However, it is necessary to consider that the plastic has certain reflective properties. When dealing with wrinkles and turning points, it must show its hardness.

5. reflective fabric performance - reflective fabric, usually there are two ways: first, flat coating method, relatively simple, or hook line, or wireless flat coating.

The reflective materials can be divided into two, three or more levels, with emphasis on the smooth surface, the gray surface and the dark side of the fabric, which will increase the lightness of the grey surface and the bright surface, and produce the contrast light perception.

Another way is to tend to a more realistic and complex way of dealing with fabrics in a realistic style, reflecting the rich layers of reflective fabrics, paying attention to the details of fabrics, and depicting the turning and wrinkling of fabrics, and the reflection of fabrics will be vividly displayed.

6. the performance of hollowed fabrics -- the use of blocking dyeing is a better way to solve the problem of hollow fabrics.

A character (oily or water-based) pigment, such as a white oil painting stick, should be drawn in advance and painted with another kind of pigment, such as darker water and pink, with a larger area. The pigments of two different properties will produce the effect of separation, so as to create the feeling of hollowed fabric.

7. knitted fabric's performance -- the surface texture of knitted fabric is the key point of knitted fabric's texture.

Because of the different types of knitted fabrics, their performance methods are also different.

The knitted fabric produced by circular knitting machine has smooth and neat texture. The corresponding pfer paper pattern can be used to pfer the knitted texture of a certain area and area.

Or in drawing, appropriately exaggerate the fabric knitted texture effect.

Flat knitting machines and hand knitted knitted fabrics can be depicted directly in a certain proportion (for larger textures, such as larger twist textures, larger woven patterns, etc.), or exaggerated texture effects.

Because the pattern design of braided fabric is generated according to the texture trend of woven fabric, some square and sawtooth shapes can be considered when representing such patterns.

Tools can use colored pencils, oil rods, and so on, while techniques can be applied by friction method, hook line and flat coating.